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dc.contributor.authorCORNEJO DIAZ, Maciel Yurem-
dc.date.accessioned2021-11-05T17:23:43Z-
dc.date.available2021-11-05T17:23:43Z-
dc.date.issued2020-
dc.identifier.urihttps://repositorio.agustinos.pe/handle/agustinos/735-
dc.description.abstractBoth books, The Da Vinci Code and Angels and Demons by Dan Brown are worldwide known due to the controversy they caused on religious aspects which made people to whether love or hate the books. Personally speaking, my motivation for writing this essay started as soon as I finished both books because, in my eagerness of finding if someone had felt that uncertainty about their religious perspectives, I decided to do my research. Therefore, my research question is: How are the plots in The Da Vinci Code and Angels and Demons, by Dan Brown, successfully developed to question our religious perspectives from the argument the books stand for? Even though, a big part of what is written in both books can be considered unreliable given that they are based on thriller and conspiracy content, Dan Brown proves that despite the accuracy of the facts, the way they are described in the plot is well structured and developed in order to fulfil the book´s purposes that are basically to question the audience from the argument of the books.es_PE
dc.description.uriTrabajo académicoes_PE
dc.formatapplication/pdfes_PE
dc.language.isospaes_PE
dc.publisherColegio Educativo Particular San Agustínes_PE
dc.rightsinfo:eu-repo/semantics/openAccesses_PE
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/2.5/pe/es_PE
dc.sourceAgustinos Perues_PE
dc.source.uriRepositorio Digital Agustinos Perues_PE
dc.subjectINGLÉSes_PE
dc.subjectNOVELAes_PE
dc.subjectDAN BROWNes_PE
dc.subjectPERSPECTIVAS RELIGIOSASes_PE
dc.titleQuestioning religious perspectives: An examination of Dan Brown´s novels, The Da Vinci Code and Angels and Demonses_PE
dc.typeinfo:eu-repo/semantics/monographes_PE
dc.subject.ocdeINGLÉSes_PE
Aparece en las colecciones: Centro Educativo Particular San Agustín - CRA Secundaria / IB - MONOGRAFÍAS

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